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From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel, to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century’s worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology are celebrated in this limited-edition volume. Photographs of over 500 garments selected from the Museum’s permanent collection illuminate each of the featured designers, while texts by the curators explain why each designer is important in fashion history and what is special about the individual pieces featured.
In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon; and both Steele and contributor Suzy Menkes provide a history of this museum’s role in the world of fashion scholarship and preservation. Fashion Designers A - Z is available as a series of six Designer Editions. Each edition (a total of 11,000 copies) is bound in a fabric created by one of six designers Akris, Etro, Stella McCartney, Missoni, Prada, and Diane von Furstenberg and comes in a Plexiglas box.
Crafted by hand at a bindery in the heart of Italy, and stamped with a unique number, every copy is an instant classic, and an addition to your fashion library that is truly one-of-a-kind. The Stella McCartney Edition of 2,000 numbered copies is adorned with a Neon Abstract Print on cotton satin from her Summer 2013 collection available in two different palettes. True to McCartney’s modern, fresh, style, the prints pop with color and sensuality. Orders placed online will be fulfilled with one of the pictured Stella McCartney fabrics.
Valerie Steele is director and chief curator of the Museum at the Fashion Institute of Technology and founding editor of Fashion Theory. Described in The Washington Post as one of “fashion’s brainiest women†and by Suzy Menkes as “the Freud of fashion,†Steele combines serious scholarship (and a Yale Ph.D.) with a rare ability to communicate with general audiences. As author, curator, editor, and public intellectual, Steele has been instrumental in creating the modern field of fashion studies.Undisputed doyenne of the international fashion press, Suzy Menkes is head fashion editor of the International Herald Tribune.
About the Author
The editor and author: Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology and founding editor of "Fashion Theory." Described in "The Washington Post" as one of "fashion's brainiest women," Steele combines serious scholarship (and a Yale Ph.D.) with a rare ability to communicate with general audiences. As author, curator, editor, and public intellectual, Steele has been instrumental in creating the modern field of fashion studies. The contributing author: Undisputed doyenne of the international fashion press, Suzy Menkes is head fashion editor of the "International Herald Tribune."
Among the world's most influential fashion critics, she is an officer of the Order of the British Empire as well as a chevalier of the "Legion d'Honneur." She lives and works in Paris.
The International Politics Of Fashion
RRP $254.99
This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and 'postmodern' IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have consistently overlooked and ignored fashion as a source of knowledge about global politics.
Yet stories about the political role of fashion abound in the news media. In Afghanistan, the terror of the Taliban regime and the plight of women was illustrated by reference to the burqa that women are supposedly forced to wear there. In Sudan, recently a female writer and activist successfully challenged the government over her right to wear trousers in public. In Europe, the debate on women's headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In the war on terror, orange jumpsuits are used on both sides to dehumanise and mark the figure of the 'detainee'. Yet the politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very 'grammar' and vocabulary.
The contributions to this book will investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics.
This work will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.
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This unique ethnographic investigation examines the role that fashion plays in the production of the contemporary Indian luxury aesthetic. Tracking luxury Indian fashion from its production in village craft workshops via upmarket design studios to fashion soirees, Kuldova investigates the Indian luxury fashion market's dependence on the production of thousands of artisans all over India, revealing a complex system of hierarchies and exploitation.
In recent years contemporary Indian design has dismissed the influence of the West and has focussed on the opulent heritage luxury of the maharajas, Gulf monarchies and the Mughal Empire.Luxury Indian Fashion argues that the desire for a luxury aesthetic has become a significant force in the attempt to define contemporary Indian society. From the cultivation of erotic capital in businesswomen's dress to a discussion of masculinity and muscular neo-royals to staged designer funerals, Luxury Indian Fashion analyzes the production, consumption and aesthetics of luxury and power in India.
Luxury Indian Fashion is essential reading for students of fashion history and theory, anthropology and visual culture.
RRP $16.99
Hello, Dolly," said Dotty Rose, over the telephone."Hello, Dot," responded Dolly Fayre. "What you want?""Oh! I can't tell you this way. Come on over, just as quick as you can.""But I haven't finished my Algebra, and it's nearly dinner time, anyway.""No it isn't,-and no matter if it is. Come on, I tell you! You'd come fast enough if you knew what it's about!""Tell me, then."
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Though fashion has evolved into a much more dynamic and complex industry, the simple act of admiring someone else's clothing was just the spark that was need to start its evolution. Clothing began to be seen as a symbol of status and often reflected the times in which they were created and worn. Fashion, and in particular, clothing, has been woven into the tapestry of mankind's story from its beginning.
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| Fashion School | Women Fashion | Fashion Footwear | Fashion Drawings |
| Ethical Fashion | Fashion Jewelry | Fashion Trend | Winning Fashion |
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Lingerie and Underwear Online Books
| Fashion School | Women Fashion | Fashion Footwear | Fashion Drawings |
| Ethical Fashion | Fashion Jewelry | Fashion Trend | Winning Fashion |
| Fashion Store | |||
Lingerie and Underwear Online