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RRP $699.00
From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel, to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century’s worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology are celebrated in this limitededition volume. Photographs of over 500 garments selected from the Museum’s permanent collection illuminate each of the featured designers, while texts by the curators explain why each designer is important in fashion history and what is special about the individual pieces featured.
In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon; and both Steele and contributor Suzy Menkes provide a history of this museum’s role in the world of fashion scholarship and preservation.
Fashion Designers A–Z is available as a series of six Designer Editions. Each edition (a total of 11,000 copies) is bound in a fabric created by one of six designers Akris, Etro, Stella McCartney, Missoni, Prada, and Diane von Furstenberg and comes in a Plexiglas box.
Crafted by hand at a bindery in the heart of Italy, and stamped with a unique number, every copy is an instant classic, and an addition to your fashion library that is truly one-of-a-kind. Reprinted especially for the Akris Edition of 2,000 copies, designer Albert Kriemler´s iconic “Grand Prix†digital photo print was created for his Akris Spring/Summer collection 2012.
“In the spirit of the devil-may-care elegance of John Frankenheimer´s 1966 movie Grand Prix†(Kriemler), the race cars whizzing by on silk crêpe found a suitable patroness: H.S.H. Princess Charlène of Monaco wore an Akris shift dress with the “Grand Prix†print to the Formula One races in Monte Carlo.
About the Author
Valerie Steele is director and chief curator of the Museum at the Fashion Institute of Technology and founding editor of Fashion Theory. Described in The Washington Post as one of “fashion’s brainiest women†and by Suzy Menkes as “the Freud of fashion,†Steele combines serious scholarship (and a Yale Ph.D.) with a rare ability to communicate with general audiences. As author, curator, editor, and public intellectual, Steele has been instrumental in creating the modern field of fashion studies.
Among the world's most influential fashion critics, she is an officer of the Order of the British Empire as well as a chevalier of the "Legion d'Honneur." She lives and works in Paris.
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This unique ethnographic investigation examines the role that fashion plays in the production of the contemporary Indian luxury aesthetic. Tracking luxury Indian fashion from its production in village craft workshops via upmarket design studios to fashion soirees, Kuldova investigates the Indian luxury fashion market's dependence on the production of thousands of artisans all over India, revealing a complex system of hierarchies and exploitation.
In recent years contemporary Indian design has dismissed the influence of the West and has focussed on the opulent heritage luxury of the maharajas, Gulf monarchies and the Mughal Empire.Luxury Indian Fashion argues that the desire for a luxury aesthetic has become a significant force in the attempt to define contemporary Indian society. From the cultivation of erotic capital in businesswomen's dress to a discussion of masculinity and muscular neo-royals to staged designer funerals, Luxury Indian Fashion analyzes the production, consumption and aesthetics of luxury and power in India.
Luxury Indian Fashion is essential reading for students of fashion history and theory, anthropology and visual culture.
The International Politics Of Fashion
RRP $254.99
This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and 'postmodern' IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have consistently overlooked and ignored fashion as a source of knowledge about global politics.
Yet stories about the political role of fashion abound in the news media. In Afghanistan, the terror of the Taliban regime and the plight of women was illustrated by reference to the burqa that women are supposedly forced to wear there. In Sudan, recently a female writer and activist successfully challenged the government over her right to wear trousers in public. In Europe, the debate on women's headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In the war on terror, orange jumpsuits are used on both sides to dehumanise and mark the figure of the 'detainee'. Yet the politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very 'grammar' and vocabulary.
The contributions to this book will investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics.
This work will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.
The Calhoun Women: Amanda & Lilah
RRP $13.99
Revisit the unforgettable Calhoun sisters in these
two remarkable stories about love and family
from #1 New York Times bestselling author
NORA ROBERTS
A Man for Amanda
A slow, sexy drawl was all Amanda Calhoun heard when she walked into the wall of denim and muscle that was Sloan O'Riley, the architect hired to renovate her family's magnificent ancestral estate, the Towers. No-nonsense Amanda found Sloan's easygoing manner infuriating. But his irresistible smile was growing harder and harder to resist.
For the Love of Lilah
Adrift in a storm, Professor Max Quartermain thought he must have hallucinated the beautiful mermaid who came to his rescue. But Lilah was no mystical creatureshe was a woman of flesh and blood, and undeniably attracted to the intense and mysterious stranger
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The body has been the focus of much recent critical attention, but the clothed body less so. In answering the need to theorize dress, this book provides an overview of recent scholarship and presents an original theory of what dress means in relation to the body.
Identity relies on boundaries to individuate the self. Dress challenges boundaries: it frames the body and serves both to distinguish and connect self and ‘Other’. The authors argue that clothing is, then, both a boundary and not a boundary, that it is ambiguous and produces a complex relation between self and ‘not self’. In examining the role of dress in social structures, the authors argue that clothing can be seen as both restricting and liberating individual and collective identity.
In proposing that dress represents ‘a deep surface,’ a manifestation of the unconscious at work through apparently superficial phenomena, the book also questions the relationship between surface and depth and counters the notion of dress as disguise or concealment. The concept of the gaze and the role of gender are approached through a discussion of masks and veils. The authors argue that masks and veils paradoxically combine concealment and revelation, ‘truth’ and ‘deception’. Here the body and dress are both seen as forms of absence, with dress concealing not the body, but the absence of the physical body.
This provocative book is certain to become a landmark text for anyone interested in the intersection of dress, the body and critical theory.
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| Fashion School | Women Fashion | Fashion Footwear | Fashion Drawings |
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Lingerie and Underwear Online Books
| Fashion School | Women Fashion | Fashion Footwear | Fashion Drawings |
| Ethical Fashion | Fashion Jewelry | Fashion Trend | Winning Fashion |
| Fashion Store | |||
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